Semisonic Confronts White House Over Unauthorized Use of ‘Closing Time’
NEW YORK – The rock band Semisonic has publicly objected to the White House’s use of their popular song “Closing Time” in a social media post relating to deportations.
The Controversial Video
Recently, a video was shared on social media depicting deportees being processed at an airport, accompanied by the lyrics of “Closing Time”: “You don’t have to go home but you can’t stay here.”
Semisonic’s Response
The band, known for their 1998 hit, issued a statement on X, clarifying their stance:
“We did not authorize or condone the White House’s use of our song ‘Closing Time’ in any way. And no, they didn’t ask. The song is about joy and possibilities and hope, and they have missed the point entirely.”
White House Commentary
In response to the backlash, White House Press Secretary Karoline Leavitt remarked, “Our entire government clearly is leaning into the message of this president,” addressing the broader implications of the message conveyed in the video.
The Broader Context of Deportations
During the same period, the Trump administration was active in deporting individuals, including hundreds of Venezuelan migrants, despite a judicial order temporarily stopping such actions. The administration sought to leverage the Alien Enemies Act of 1798 to enable these deportations, particularly targeting members of criminal organizations.
Historical Use of Music By Political Figures
Semisonic is not the first group to voice their disapproval of political figures using their music without permission. Over the years, various artists have protested the use of their songs by the Trump administration, including Celine Dion, Bruce Springsteen, and Rihanna, among others. This highlights ongoing tensions between artists and political endorsements that are often misaligned with the intended messages of their work.
About ‘Closing Time’
“Closing Time” is featured on Semisonic’s album “Feeling Strangely Fine,” released in 1998. The song achieved notable success, reaching No. 4 on the Billboard Adult Alternative Airplay chart and earning a Grammy nomination. It encapsulates themes of new beginnings, which the band believes are at odds with the current use of the track in the immigration context.
