NY Review

Broadway’s ‘Days of Wine and Roses’ Delivers a Haunting Musical Portrait of Love and Addiction

Miles Kavanagh|
Musical
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Broadways winter season welcomed a poignant new addition with the arrival of Days of Wine and Roses, a musical adaptation of the 1962 film and 1958 teleplay by JP Miller. The production officially opened at Studio 54 on January 28, 2024, following previews that began on January 6. Directed by Michael Greif, with a score by Adam Guettel and a book by Craig Lucas, the musical stars Kelli OHara and Brian dArcy James as a couple whose romance is marred by the grip of alcoholism.

Set in 1950s New York, Days of Wine and Roses follows Joe Clay, a Korean War veteran and public relations professional, and Kirsten Arnesen, a secretary with a sheltered upbringing. Their whirlwind romance begins with shared drinks and quickly spirals into mutual dependence on alcohol, leading to personal and relational turmoil. The narrative delves into the complexities of addiction, portraying the couples struggles with raw honesty.

This production marks the first collaboration between Guettel and Lucas since their acclaimed 2005 musical The Light in the Piazza. Guettels score for Days of Wine and Roses is characterized by its jazz-inflected melodies and operatic undertones, eschewing traditional show tunes for a more somber and introspective musical landscape. The music serves to underscore the emotional depth of the characters journey, enhancing the narratives impact.

Critics have lauded the performances of OHara and dArcy James, noting their compelling portrayal of a couple ensnared by addiction. The New York Times highlighted the productions jazzy, aching quality, while The Guardian praised its unflinching depiction of the characters descent. The musicals commitment to exploring the darker facets of human experience has resonated with audiences and reviewers alike.

The staging of Days of Wine and Roses contributes significantly to its immersive quality. Lizzie Clachans scenic design evokes a mid-century aesthetic, while Dede Ayites costumes and David Brian Browns hair and wig designs further establish the period setting. The absence of an intermission intensifies the audiences engagement, mirroring the relentless progression of the characters struggles.

The production has garnered several accolades, including Drama Desk Awards for Outstanding Lead Performer in a Musical for both OHara and dArcy James. It also received nominations for Tony Awards in categories such as Best Original Score and Best Actor and Actress in a Musical. These honors reflect the industrys recognition of the musicals artistic achievements.

Days of Wine and Roses stands as a testament to Broadways capacity to tackle challenging subjects with nuance and artistry. Through its powerful performances and evocative score, the musical offers a compelling exploration of love, addiction, and the human condition.

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Miles Kavanagh

NY Review Contributor

Miles Kavanagh

Covers sport and entertainment in New York, from the arenas to the stages.


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